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Author:
David John Chávez
42nd Street Moon’s ‘Scrooge in Love’ grows larger in the City
Opera San Jose’s ‘Barber of Seville’ a chance for Dougherty to build a great character
Kinetic Arts production of ‘Inversion: Circus Disobedience’ is more than a circus
Review: Savagery is softened by storytelling in Berkeley Rep’s ‘The Last Tiger in Haiti’
Bay Area theatre companies spark conversations with ‘Every 28 Hours’
Gorrebeeck works hard to handle the truth in Hillbarn’s ‘A Few Good Men’
Hedwig and Hall are a match made in rock and roll Heaven.
Review: Crowded Fire’s ‘The Shipment’ is effectively uncomfortable
Saraf blends two political worlds in Naatak’s ‘Mr. India’
Elle yes: Hillbarn’s ‘Legally Blonde’ is big and bold
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