October 28, 2020October 28, 2020 David John Chávez

Adaire searches for Lorca’s passion digitally in A.C.T.’s ‘Blood Wedding’

September 29, 2020October 7, 2021 David John Chávez

Review: The honesty of Gomez comes through in ‘Spanking Machine’

August 14, 2020September 5, 2020 David John Chávez

Corrie battles the digital to accentuate the personal in Pear Theatre’s ‘Elliot: A Soldier’s Fugue’