Bay Area theatre talk with a Drama Guy
The year 2020 has forced theatre artists to tap into the deepest recesses of their creativity, all while navigating fears and anxiety over a global pandemic. Whether it is looking … Continue reading Corrie battles the digital to accentuate the personal in Pear Theatre’s ‘Elliot: A Soldier’s Fugue’
Suit the action to the word, the word to the action, with this special observance, that you o’erstep not the modesty of nature: for any thing so o’erdone is from … Continue reading Billingslea shares a million reasons to support Black theatre through the Juneteenth Justice Theatre Project
It was a table read like no other. And it will be a birthday like no other as well. “Jeffrey Lo’s Birthday Bench Project,” the eighth Bench Project production yet … Continue reading Happy birthday, dear Jeffrey: Lo and friends gather on a ‘Bench’ to raise funds for Bay Area theatre companies
This was the time of year when Susan Shay was going to relax a bit. The Bay Area Women’s Theatre Festival (BAWTF), the ambitious project which was ready to amplify … Continue reading After Covid-19 ended live programming, BAWTF found a new groove
NOTE: The final live performance of American Conservatory Theater’s production of “Gloria” took place on Wednesday, March 11th before being canceled from Covid-19 policies. The show, along with the company’s … Continue reading A.C.T.’s fantastic ‘Gloria’ explores who can rightfully own a tragedy
The coronavirus has brought upon unprecedented disruptions for every walk of society. And while the dangers are to be taken seriously, some might argue that this pandemic makes going to … Continue reading Some of the strangest few days in the theatrical Bay
*Note: This piece was the final feature I wrote before COVID-19 shut down mass gatherings only two days later. The original run of this show was scheduled for March 13th … Continue reading Gomez’ ‘Spanking Machine’ is ready to become unexpected number 13
Ricardo Pérez González considers his newest play “Don’t Eat the Mangos,” currently in a rolling world premiere at the Magic Theatre in San Francisco a “wickedly funny tragedy.” Which begs … Continue reading Pérez González warns of forbidden fruit in the Magic’s ‘Don’t Eat the Mangos’
The debate over what is and what isn’t American is full of nuance. While certain politicians and nativists tout that the greatness of this country is viewed through a tiny, … Continue reading Review: Culture Clash explores the messy and magical in brilliant ‘(Still) in America’
The skinny on the Bay Area national tour stop of “The Last Ship” is a tale of two halves. That first half is smooth sailing all the way, a warm … Continue reading Review: Broadway SF’s ‘The Last Ship’ sails smoothly and then begins to sink
Huey Calhoun is a white guy who wastes no time flexing his black music bona fides. It kicks off as he walks through the doors of Delray’s underground bar, a … Continue reading ‘Memphis’ at Berkeley Playhouse is the music of your soul
Playwright Octavio Solis is obviously used to writing pieces that are shared with theatre audiences. But his latest piece, running at Z Below in San Francisco, is quite different. Word … Continue reading Solis’ personal stories of life on the border are featured in Word for Word’s ‘Retablos’ in San Francisco
